Spring has sprung and the stage is set.
A theatrical performance of wares and the "wear-er".
Capitalism at its finest.
The Fold navigates this courtship acting as circulation, nay display of those wishing to seen in the scene.
Le Courbusier's Domino House stacked, pulled and reinvented.
A perfect self-referential claim to the theatrics of time, space, and cinematography.